[Happy Hobbit Day! This is a revision of a review I first posted to my LJ on October 10th, 2011. It has been edited for clarity and additional information.]

Though apparently a huge success in Europe, this game is more obscure in the US, where it was released as Hobbit Software Adventure. (In the 1980s the word "software" was exciting enough to put in a name. Some early games also advertised on the box that they were "100% machine language!")



The manual calls it "one of the most sophisticated adventures ever designed for microcomputers," so let's don our evening attire, pour a glass of wine, and boot it up.

( SOFTWARE! Excited yet? )

You can play the DOS port of The Hobbit/Hobbit Software Adventure in your browser, for an unforgettable evening of text-based sophistication. 🍷

After some consideration of my options, I have made a Star Wars icon that pleases me. It's a screenshot of the music video for Jeremy Messersmith's "Tatooine" with animation by Eric Power.

Embedded video: Paper cutout animation retelling the plot of the Star Wars Original Trilogy.

In this sequel to The Three-Body Problem, it's now out in the open that an alien invasion is coming. But the aliens' doomed planet is far away and this is hard SF, so they're not expected to reach Earth for 400 years. The book follows a mostly new set of characters and international organizations as they try to work out a long-term plan to somehow defend Earth against a force with vastly superior technology and no interest in negotiating.

This book is 500 pages long and I don't think it had to be. I found the first half a real slog, as it mostly focused on plot elements that I felt were not plausible (not for speculative reasons, but for No Real Person Would Ever Do This reasons) and, surprisingly, a romance. I don't know if Liu got the criticism that the first book didn't care about people so he decided to put in a love story, or what, but the way he handles it is extremely strange and unrealistic and made me question whether he had ever interacted with a woman in his entire life, so maybe he should have stuck with ideas over people.

It also suffers from a rather flat and awkward English translation that calls way more attention to the fact that it is a translation than the first book's did. (They had a different translator for this one, but brought back Ken Liu for book three.) That's not the book's fault, but it definitely affected my experience of it.

That said, the second half did pick up a lot, and leaned much more heavily into Liu's strengths as a writer: the inventive worldbuilding and the show-stopping cinematic set pieces. I did enjoy that and it brought me back to what I liked about the first book. Liu has a distinctive knack for making even catastrophic and grisly events weirdly fun to read about because of how hard he commits to them and how intricately he constructs their details. Anybody can write about stuff blowing up in space, but not everybody can show exactly why and how it's blowing up, zoom into individual pieces of debris and out to massive chain reactions, and have a reader like me, who is often bored by action scenes, attentively following along every step of the way.

many spoilery thoughts

The main thing I thought was implausible was the concept of the Wallfacers. Basically, the UN chooses four people and gives them each unlimited resources to develop and enact a plan to defend against the aliens. There's no oversight and anything they do is legal and unquestioned. This is supposed to counter the aliens' ability to remotely surveil Earth; if the plan takes shape in one person's head, then the aliens, who are said to not understand secrets and deception, won't find out about it.

Many things about this concept invite skepticism, but my biggest issue is how the presentation glosses over the complexity of human societies. Liu assumes that essentially everyone in the world will tacitly support whatever the UN does, with no significant debate or objection, even when it directly affects people's lives. He has the Wallfacers using so many resources for their massive defense constructions that it's crushing the global economy, and people just twiddle their thumbs and let it happen. He often paints global reactions with an extremely broad brush, like "people felt/thought X" as though all of humanity were a monolith. I can't speak for countries other than my own, but in this situation I can confidently say that half the people in the US probably wouldn't even believe the aliens were real, and even if they did, they sure as hell wouldn't put their faith in four people arbitrarily selected by the UN to save us all.

Sometimes Liu seems to know there are problems with these ideas, as when the narrative flashes forward a couple of centuries and the Wallfacer project is seen as one of the many "silly" things attempted during the initial panic over the invasion. Then again, Wallfacer Luo Ji's plan does basically work in the end, so I wasn't really clear on what the book was trying to say here.

I did enjoy the future worldbuilding, where most humans live in underground cities of massive treelike skyscrapers that hold up the ceiling where a holographic sky is projected. He did a slightly better job here of showing that cultures aren't all the same; a lot of people in the future are "hibernators" who were put into stasis in the past at various times and reawoken later, and their attitudes often differ from people who are native to the future. This also helped build a believable friendship between Shi Qiang and Luo Ji, since they're the only two people they know from their time. (I think this is the only compelling human relationship in the book, certainly better than whatever the hell was supposed to be happening with Luo Ji and the imaginary woman he made up in his head who turned out to be real somehow... It's a long story.)

I was also interested in the concept of the accidental generation ships. Almost the entire Earth fleet is destroyed by an alien probe that they thought was harmless, and the few crews that barely escape believe (understandably) that returning to Earth is suicide and that continuing to flee is humanity's best hope for survival. This entire scenario plays out over the length of a chapter, but whole books could be written about it! The part where they realize that they have too many people to keep alive long-term and some will have to be sacrificed read like an homage to "The Cold Equations," though I don't know if that story is as well-known among Chinese SF readers.

Of course it's also consistent with the book's generally pessimistic outlook on space exploration. I did know before I started reading what the "dark forest" solution to the Fermi Paradox is, but I didn't know the hypothesis was named after the book!! The idea is that the reason we haven't found aliens is that the galaxy is fucking dangerous and any planetary civilizations that foolishly jump around waving their hands and flashing neon signs trying to make first contact only make themselves a target. Aliens are out there, but the ones who have survived are the quiet ones. As a person whose favorite SF canon is Star Trek, this obviously doesn't align with my preferred way of looking at things, but it's internally consistent and not implausible, so I can roll with it.

I am invested enough to read the third book, and looking forward to getting back to a translator who knows what he's doing at least.

This unusual game depends on a unique movement mechanic that's a little hard to describe, but I'll try. You play as a creature that can only survive on the surface of a bubble. There are little helper creatures that you can direct to create new bubbles that you can grab onto when they intersect with yours. If you mess up the timing and get stranded without a bubble, you die and go back to the last checkpoint.



Though it sounds weird when you try to put it into words, it's actually easy to intuit how it works when you're doing it, and it quickly felt natural and fun to do. There's no text in the game in part because you don't need it. The best fit genre is probably puzzle platformer, as you're leveraging the environment and your abilities to navigate past obstacles.

The game is visually stunning, with fractal-inspired kaleidoscopic imagery that is suggestive of coral reefs and cosmic nebulae. It's a matter of interpretation what the setting actually is and what the characters are. Are you a jellyfish? An alien? A bacterium? A fundamental particle? I have no idea!

In general I was okay with the abstract nature of the game, but at times it can make your goals unclear. Since you don't really know what you're doing or why, it's hard to gauge where you are in the story arc or if you're near the end. I did enjoy it, though, even if I couldn't really give you a synopsis what happened in it. It took me 3.5 hours to finish the game without going back for achievements.

Accessibility note: The blurb calls it a "sound-surfing platformer" which implies sound is part of the gameplay, but that's not the case. The music is nice but it's only aesthetic, and the game can be played perfectly well without hearing.

Onde is on Steam and GOG for $13.99 USD. I got it on sale for two bucks and was satisfied with my purchase. Steam also has a free demo that should make it clear whether it's for you.

Recently I have watched or rewatched several Star Wars. Here are my thoughts.


Andor season 2

( spoilers )


Rogue One

( spoilers )


Original Trilogy

( spoilers? I make fun of the movies a lot even though I like them. also cn: I ship Luke/Leia )

We plan to watch the prequel trilogy next. I saw The Phantom Menace in the theater and I think I watched like half of Attack of the Clones on TV, or maybe I'm just remembering the memes. It's gonna be a good time!